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“Ter-Berg and Nicholson were far more convincing in flute-and-piano pieces by Jolivet, Edwin Roxburgh and David Matthews. Their rapport was exemplary, and they also captured the wit and warmth of music that could easily bamboozle young players with its technical demands. And in Ter-Berg’s nimble fingers Patrick Nunn’s mischievous three-minute Sprite for solo piccolo was far more intoxicating than its lemonadey name suggested.”